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By Zander Brietzke

ISBN-10: 0817315713

ISBN-13: 9780817315719

Is theater particularly lifeless? Does the theater, as its champions insist, fairly offer a extra intimate adventure than movie? if this is the case, how have alterations in cinematic suggestions and applied sciences altered the connection among level and movie? What are the inherent boundaries of representing 3-dimensional areas in a two-dimensional one, and vice versa?

American Drama within the Age of Film examines the strengths and weaknesses of either the dramatic and cinematic arts to confront the normal arguments within the film-versus-theater debate. utilizing widely recognized diversifications of ten significant performs, Brietzke seeks to spotlight the inherent powers of every medium and draw conclusions not only approximately how they fluctuate, yet how they should vary to boot. He contrasts either degree and picture productions of, between different works, David Mamet’s Glengarry Glen Ross, Sam Shepard’s True West, Edward Albee’s Who’s fearful of Virginia Woolf, Margaret Edson’s Wit, Tony Kushner’s Angels in America, Tennessee Williams’s Cat on a scorching Tin Roof, Arthur Miller’s Death of a Salesman, and August Wilson’s The Piano Lesson. In studying the twin productions of those works, Brietzke reveals that cinema has certainly stolen a lot of theater’s former thunder, through making drama extra intimate, and visceral than such a lot stay events.

But theater continues to be important and issues enormously, Brietzke argues, even though for purposes that run counter to a few of the virtues routinely attributed to it as an paintings shape, akin to intimacy and spontaneity. Brietzke seeks to revitalize perceptions of theater via demanding these universal pieties and supplying a brand new severe paradigm, person who champions spectacle and simultaneity because the so much, now not least, very important parts of drama.

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